Inside the Sculpture Museum of Copán – Copán Archaeological Site, Honduras

The Sculpture Museum of Copán at the Copán archaeological site in Honduras may lack the romantic ambiance and sense of history of the site itself. However, the museum is home to the best original sculpture and architecture the Mayans of Copán produced and it should be an integral part of your visit to the UNESCO World Heritage site.

You enter the museum through a dramatic tunnel meant to mimic the experience archaeologists had while exploring the site. Inside, originals (and a few replicas) of Copán’s very best finds, including a full-size replica of the vibrant Rosalila structure, are well-displayed and easy to check out.

Absolutely worth the US$7 entry fee to see nearly 60 exhibits with more than 3,000 pieces of sculpture plus six restored buildings and some of the most important stelae from the site.

Here are some highlights.

Reconstruction of the Rosalila Temple

This reconstruction of the Rosalila Temple is what greets visitors to the Sculpture Museum of Copán next to the archaeological site in Honduras. The replica was created based on findings archaeologists made after studying the time-worn original which remains buried within Temple 16 at the Copán site itself.

Rosalila Temple - Sculpture Museum, Copan, Honduras

The back of the reconstructed Rosalila Temple in the center of the Sculpture Museum of Copán in Honduras.

Stucco relief on Rosalila Temple - Sculpture Museum, Copan, Honduras

A stucco relief on the reconstruction of the Rosalila Temple, the centerpiece of the Sculpture Museum of Copán which is located right next to the archaeological site itself.

Mayn rain god Chaac with waterbirds sculpture - Sculpture Museum, Copan, Honduras

High quality sculpure is one of the things the Mayan city of Copán was known for. These intricately carved depictions of the Mayan rain god Chaac (center) and various waterbirds are original and on display in the on-site Sculpture Museum of Copán.

Tlaloc sculpture - Sculpture Museum, Copan, Honduras

Part of Structure 16 is preserved inside the Sculpture Museum of Copán, including this sculpture of the Mayan god Tlaloc which formed part of an ancient stairway.

Macaw Heads - Sculpture Museum, Copan, Honduras

The Mayans revered scarlet macaws and this excellent original sculpture of a macaw in flight can be seen in the Sculpture Museum of Copán in Honduras.

Macaw Heads - Sculpture Museum, Copan, Honduras

The Mayans revered scarlet macaws and these macaw heads carved out of stone by the original inhabitants of Copán are on display in the excellent on-site museum.

Reconstruction of Temple 22 - Sculpture Museum, Copan, Honduras

A detailed reconstruction of Temple 22 in the excellent Sculpture Museum of Copán in Honduras.

The Bat was the symbol of the ancient city of Copan - Sculpture Museum, Copan, Honduras

The bat was the symbol of the ancient Mayan city of Copán. This original sculpture can be seen in the Sculpture Museum of Copán, adjacent to the archaeological site.

Sculpture heads - Sculpture Museum, Copan, Honduras

Human and animal heads carved from stone centuries go by the Mayans who lived in the city of Copán. These original works of art are on display in the Sculpture Museum of Copán.

Detail of relief from Noblemans house in the Sepulturas area - Sculpture Museum, Copan, Honduras

This detail, now on display in the Sculpture Museum of Copán, originally adorned a Mayan nobleman's house.

 

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Old Copán – Copán Archaeological Site, Honduras

You’re gonna pay dearly if you want to visit the most popular tourist attraction in Honduras. It’s US$15 per person just to enter the Copán archaeological site. Another US$7 to enter the adjacent Sculpture Museum of Copán where the best stelae, facades and carved details are preserved and on display. Want to walk through a small tunnel inside a structure which was built around a temple which is now hidden inside it? That’s gonna cost you another US$12.

All totaled up, that’s US$34 per person in entry fees.

Temple 16 - Copan, Honduras

For an extra $12 you can walk inside Temple 16 through a tunnel that leads you to a temple that was swallowed whole when 16 was built. But don't. The plexiglass that was put up around the interior temple is so scratched and fogged that you can barely see through it.

Glyphs - Copan, Honduras

Carvings, like these glyphs, are of remarkable quality at the Copán archaeological site in Honduras.

 

Is Copán worth the fees?

Yes and no–mostly yes. After all, they didn’t make the remains of the Mayan city of Copán a UNESCO World Heritage Site for nothing.

Hieroglyphic Stairway - Copan, Honduras

The epic Hieroglyphic Stairway at Copán archaeological site in Honduras with Stele M standing guard in front of it.

 

Copán has a wicked set of hieroglyphic stairs, each one carved with glyphs which are the graphic symbols of the Mayan alphabet. Archaeologists believe that the massive staircase told the story of the rulers of Copán. Unfortunately, when the experts unearthed the stairs they’d crumbled into a jumbled heap. The first 15 levels of steps have been  meticulously put back together more or less in readable order (presuming you know how to read Mayan glyphs), however, the many, many levels of steps above that are a nonsensical jumble of stones.

 

 

Stela A - Copan, Honduras

Stela A at Copán archaeological site in Honduras.

Macaw - Copan - Honduras

Scarlet macaws were sacred to the Mayans. This one lives at the Copán archaeological site in Honduras, where macaw heads were also carved into the ball court and other important areas of the city.

 

 

 

Scarlet macaws were prized among the Mayans. A group of macaws lives at Copán and their carved images are found in the most important places like the ball court.Though the normal way to score points in the ubiquitous Mayan sport was by getting a ball through a stone hoop, at Copán points were scored by hitting big scarlet macaw heads carved out of stone with the ball.

 

Figure on Structure 29 - Copan, Honduras

Figure on Structure 29 at Copán archaeological site in Honduras.

Stela B - Copan, Honduras

Stela B at Copán archaeological site in Honduras.

 

 

Copán was also home to a ruler with one of the most delightful names in the Mundo Maya. Known as 18 Rabbit, he was revered for his epic building projects and support of the arts especially sculpture. One of our favorite carved pieces depicted a dancing jaguar which reminded us a bit of the Grateful Dead dancing bear.

Speaking of sculpture,18 Rabbit had eight stelae carved and put up at Copán during his 43 year reign. All of the stelae at Copán are amazingly intricate. Even the back of the stone slabs, which are usually flattened but left bare, are carved at Copán.

 

 

 

Spoiler alert: One thing we learned at Copán is that Mayans don’t call him 18 Rabbit. They call him 18 Agouti, but since a grand total of 174 tourists know what an agouti is (it’s essentially a large hamster that’s very common in the area, btw) guides and guidebooks all call one of Copán most important residents 18 Rabbit.

Pauahtun Head - Copan, Honduras

Copán ruler 18 Rabbit was a big patron of the arts, especially carving like this Pauahtun Head.

Ball Court and Hieroglyphic-Stairway (under cover) - Copan, Honduras

The ball court and the hieroglyphic stairway at Copán archaeological site in Honduras. Unfortunately, the stairway is currently protected under a hideous tarp. Site administrators are experimenting with other ways to cover the stairs but for now they're under this ugly tarp.

 

So, what’s not worth it at Copán?

The tunnel sounds great: An almost garishly red/pink/rust colored structure called the Rosalila is entombed inside what’s now known as Temple 16 which was built around the Rosalila. The only way to see the preserved remains of the Rosalila is to pay US$12 which gets you inside Temple 16, down a cramped set of stairs and through a tunnel which leads you to a plexiglass window that’s been put up around a corner of the Rosalila temple to protect it from visitors.

The problem is that the plexiglass is so scratched and fogged that you can barely see through it. What a disappointment. Best to gawk at the imposing reproduction of the Rosalila that’s been built in the sculpture museum next to the Copán site complete with the decoration and color the experts believe the temple originally had.

Altar G - Copan, Honduras

Altar G is a great example of the skill of the sculptors at Copán archaeological site in Honduras.

Temple 22 & East Plaza - Copan, Honduras

Temple 22 and the East Plaza at Copán archaeological site in Honduras.

 

Use the savings to hire a guide

Stela C - Copan, Honduras

Stela C at Copán archaeological site in Honduras.

We’ve visited almost 100 archaeological sites and we can count the number of time we’ve used a guide on one hand. Copán is one of those times (thanks, Flavia). We heard rumors about a guide at Copán named Tony who is supposedly in the Guinness Book of World Records for being able to do the Copán tour in five different languages. We didn’t hire Tony but our guide, Julio Melendez, was young, informed, bilingual, passionate and not in a hurry.

We wouldn’t have known half of the most interesting things in this post if we’d toured the site on our own and we highly recommend taking $12 you didn’t spend to enter the disappointing tunnel and putting it toward a guide. The guides all charge a set price of US$25 no matter how many people are in your group, so make some friends too.

Skulls on Temple 22 - Copan, Honduras

Carved skulls on Temple 22 at Copán archaeological site in Honduras.

Glyphs on back of Stela A - Copan, Honduras

Even the back of the stela at Copán archaeological site in Honduras are carved. Stela A has a whole panel of glyphs on the back side.

 

One more way to save

There’s no need to hire a taxi or shared van to take you between the town of Copán Ruinas and the archaeological site. They’re less than a half a mile apart and there’s a perfectly pleasant and shady sidewalk that will take you from door to door. There are even a few stelae to see along the way which you’d totally miss if you took a taxi or shared van.

And don’t miss Las Sepulturas, a neighboring archaeological site that was a residential area for the upper class of Copán, including 18 Rabbit and his mistresses. Entry to Las Sepulturas is included with your entry to Copán and the site is just a short walk beyond Copán.

Turtle Altar - Copan, Honduras

This turtle altar at Copán archaeological site in Honduras is one of the most unusual Mayan altars we've ever seen.

Skull - Copan, Honduras

This carved skull was just sitting on the jungle floor at Copán, waiting for archaeologists to figure out where it belongs.

 

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Music Festival Central America Style – Festival Imperial DAY 2, Costa Rica

This post is part 2 of 2 in the series Festival Imperial 2012

Crowd - Festival Imperial 2012, Costa Rica

Ready for Day 2 of the Festival Imperial 2012 music festival in Costa Rica.

We love live music. Before embarking on our Journey we spent a lot of time seeing live music and going to music festivals around the US including BonnarooHigh SierraGathering of the VibesMountain JamJam Cruise, Langerado, etc. The concept of the multi-day, outdoor, multi-stage music festival is not well established in Central America but we’re happy to report that after a four year absence the Festival Imperial in Costa Rica came back with a vengeance this past weekend and we were there.

Put on by the folks who do Lollapalooza, the two day lineup included The Flaming Lips, TV on the Radio, LMFAO, Bjork, Thievery Corporation, Cypress Hill, Moby (doing a DJ set), Skrillex, Maroon 5 and Gogol Bordello plus some great bands we were happy to discover. Many of these same artists are continuing down to Lollapalooza Chile and Lollapalooza Brazil over the next two weekends.

If it looks, smells, tastes and sounds like a music festival…

Held in appropriately dusty and sunny conditions at speedway near the Costa Rican capital of San Jose, Imperial Festival had all the usual trappings: three stages, semi-smelly porta-potties and a bunch of food vendors some selling fast food junk or freshly made chifrijo, which is pretty much the national dish of Costa Rica made with rice, beans, pico de gallo and pork.

Plenty of recycling bins and an on-site sorting and crushing facility and a kick ass crew kept things remarkably clean. There was even a small strip of stalls selling better-than-usual clothes and jewelry from local, hip boutiques like Hija de Tigre. Oh, and beer. The whole festival was sponsored by Imperial, the biggest brand of beer in Costa Rica, and there was plenty of the unremarkable stuff on hand though it was no bargain at US$3 per can. Where’s the Sweetwater or Sixpoint tent when you need it?

We were there for the music anyway. Day 1 of Festival Imperial was awesome. Here’s what moved us, scared us and surprised us on Day 2.

Hard to say, easy to dance to

Sonambulo. It doesn’t roll off your tongue but this band will have you rolling your hips. That’s what happens when a bunch of guys (the full band is 11 members strong) from places like Cuba,  El Salvador, Costa Rica and Colombia get together. Though Sonambulao means sleepwalker there was no sleeping or walking involved in their set as the band cranked out what they call “Psico Tropical” sound. Just when we thought we were in the midst of a classically infectious cumbia, for example, the band threw in some trippy keyboards, keeping the crowd on their toes literally and figuratively.

Sonambulo - Festival Imperial 2012, Costa Rica

Sonambulo got the dancing started early on Day 2 of the Festival Imperial 2012 music festival in Costa Rica with their "Psico Tropical" pan Latin sound.

One of the greatest things about Festival Imperial was that performances on the two main stages never overlapped. This meant we never had to make agonizing Bonnaroo-style decisions about which act to sacrifice in order to see another one. Find just the right vantage point between the two main stages and you could practically treat the festival like a ping-pong match and never do much more than move your head from left to right to catch acts on both main stages.

 

TV on the Radio on Stage at the Festival in Costa Rica

Sure we’d been hearing the buzz about TV on the Radio (we’re in Central America, not under a rock) but we’d never seen them live and, frankly, they should be called TV on the Radio on Stage because seeing them live is the only way to fully appreciate lead singer Tunde Adebimpe’s arms, which must be the longest and most flexible in the industry. We also loved that the bass player looks like Harvard Professor, author and commentator Dr. Henry Louis Gates Jr. after a bender.

TV On the Radio during Day 2 of the Festival Imperial 2012 music festival in Costa Rica.

Tunde waves those amazing arms around a lot, one of the few constants in a performance that ran the vocal gamut. Close your eyes at a TV on the Radio show and you might swear the band was changing up singers, toggling between Roland Gift from Fine Young Cannibals, Prince and Michael Jackson depending on whether they’d dialed up a ballad, a ska shaker or a fully eclectic alt rock anthem.

TV On the Radio - Festival Imperial 2012, Costa Rica

TV On the Radio during Day 2 of the Festival Imperial 2012 music festival in Costa Rica.

And now we would like to make a random, humble suggestion: 86 the thunder sticks. They must have handed out 75,000 inflatable thunder sticks during Festival Imperial creating a sea of ad-clad obstacles in between us and the stage and leaving behind tons of plastic trash.

 

Thievery Corporation steals the show

“I wish America had no army,” said Thievery Corporation co-founder Rob Garza when asked during a press conference what he thought of the fact that Costa Rica hasn’t had an army since 1949. Par for the course from a driving force behind the hottest band with a conscience.

Thievery Corporation - Festival Imperial 2012, Costa Rica

The Thievery Corporation gang upped the political IQ on Day 2 of the Festival Imperial 2012 music festival in Costa Rica.

Thievery Corporation got things rolling with an anti IMF rap (International Mother F…ers) but this band makes even global financial shenanigans fun with a bottomless roster of singers,  a sitar player on a white settee, turntables and a bass player who somehow managed to dance as hard as the crowd.

Thievery Corporation - Festival Imperial 2012, Costa Rica

Thievery Corporation on stage at the Festival Imperial 2012 in Costa Rica.

The overall effect was Massive Attack after a stint in the Peace Corps. Hip, sexy energy, smart words, haunting vocals.

Not only do we agree with Garza’s music we also agree with his assessment of Festival Imperial which he praised for its “eclectic” line up. Unlike many US music festivals Festival Imperial was not booked through the prism of one musical genre or even one definition of what’s popular or mainstream. Come to think of it, radio stations in Costa Rica tend to mix it up the same way.

Thievery Corporation - Festival Imperial 2012, Costa Rica

Thievery Corporation at Festival Imperial 2012 in Costa Rica.

 

And speaking of eclectic….

Now for something completely different

Shaved head and long hair. Cool and dorky. Distorted and melodic. Much-hyped Skrillex, who looks like a creepy loser kid from an episode of The Brady Bunch, produced something between brown noise and the sound one imagines mice would make if you fed them acid and gave them paperclips and tin foil to play with. We actually mean that in a good way…

And he’s so small!

Skrillex - Festival Imperial 2012, Costa Rica

Skrillex doing that thing he does on Day 2 of Festival Imperial 2012 Costa Rica.

DJ Shadow - Festival Imperial 2012, Costa Rica

In addition to Skrillex, Festival Imperial 2012 also featured the DJ stylings of Diplo's Major Lazer, Hot Chip, Moby and DJ Shadow (pictured here).

 

Were we really bored by Bjork?

Bjork - Festival Imperial 2012, Costa Rica

Bjork and her avant-garde choir at Festival Imperial 2012 in Costa Rica.

For an artist so defined by visuals it was disappointing that you had to be within 30 feet of the stage to get a proper view of the show Bjork presented. Instead of using the stage-side mega screens to simulcast from the stage, she used them to show video footage of lava splitting the earth apart and starfish moving in fast-mo. Cool, yes, but those same images were being shown behind the stage as well and what 90% of the crowd was really hungry for was a good look at Bjork.

Bjork - Festival Imperial 2012, Costa Rica

Bjork being Bjork and, yes, that's an inflatable dress.

We did our best. We can tell you that Bjork was wearing a stiff, matronly orange wig and a deep plastic dress with inflatable fat lady bulges at the hips and breasts. She was backed by a disturbing number of blondes dressed in sequined versions of choir robes. Together, these women produced a soaring cacophony of voices which almost made up for the dearth of musical instruments on stage (no, a laptop doesn’t count).

Bjork does get our Best Gracias of the Day award, however. Petite, sweet and with perfectly rolled Rs.

Bjork - Festival Imperial 2012, Costa Rica

Bjork on Day 2 of Festival Imperial 2012 in Costa Rica.

 

From The Temptations to The Contemptible

We managed to miss most of the LMFAO mania but a few songs have been unavoidable. Up until today we actually got a kick out of hearing LMFAO’s Sexy and I Know It on the radio in the truck. We even started singing along to the ridiculously earnest line “I work out.” Those days ended as soon as we saw LMFAO live.

Well-known fact: LMFAO was created by Redfoo and his cousin SkyBlu (not their real names). Little-known fact: Redfoo is the son of musical legend Berry Gordy, founder of Motown Records, and SkyBlu is Mr. Gordy’s grandson. SkyBlue couldn’t make it to Festival Imperial show but the whole thing was so pre-packaged that he wasn’t even missed. Hell, they probably could have both stayed home and the crowd still would have worked itself into a frenzy as if pure pheromones were being misted from the stage. And perhaps they were.

LMFAO - Festival Imperial 2012, Costa Rica

Redfoo and his mystifying crew (what's up with that dude on the left?) get the LMFAO shenanigans started at Festival Imperial 2012 in Costa Rica.

The show was a mash up of Romper Room, a low budget Japanese sex show and a Jane Fonda workout tape with glimpses of the resort wear catalog from International Male. Toss in dry humping backup dancers, as many hot button words as you can think of and more costume changes than Madonna and you’ve about got it. (Redfoo has said he wants to focus on the band’s clothing line and live shows have become fashion shows for his lurid, lyrca, lyric-splashed gear.)

LMFAO attracted one of the largest and youngest crowds of the festival and elicited the most enthusiastic reactions–mostly in the form of teenage girls squealing and screaming whenever Redfoo asked “Where my bitches at?” which was often.

LMFAO - Festival Imperial 2012, Costa Rica

LMFAO, keepin' it classy.

LMFAO - Festival Imperial 2012, Costa Rica

Jane Fonda's lawyers take note...LMFAO on stage during Day 2 of Festival Imperial 2012 in Costa Rica.

There is a chance that we were repulsed by the LMFAO show because we’re not 19 years old and anything that involves raping zebras and t-shrts that say “I am not a whore” worn by women (and men) acting like whores just pisses us off (you can buy that t-shirt, btw, on the LMFAO website!).

LMFAO - Festival Imperial 2012, Costa Rica

LFMAO Lesson #483: If you have to say "I Am Not A Whore" you probably...

There’s a much greater chance, however, that we were repulsed by the LMFAO show because it sucked. Despite the fact that we could hear our own brain cells dying the longer we stood in the crowd, we stayed.  We wanted to Laugh Our F…ing Asses Off with the band at their fantastic joke on the music industry.  We were waiting for the tongue to go in the cheek–hell, Redfoo had been singing about his tongue going everywhere else.

But Redfoo never broke character, never let the audience in on what we hope and pray is a joke meant to highlight just how easy it is to descend low enough to reach the heights of pop music. Instead we got a musical roofie: it hits you, you wake up later, then desperately want a shower.

Are these guys really the spawn of Motown Records founder Berry Gordy? The same man who brought us the Jackson 5, The Supremes, Stevie Wonder, Marvin Gaye and more? Shudder.

Redfoo LMFAO - Festival Imperial 2012, Costa Rica

LMFAO Redfoo, totally not sorry for party rocking.

 

Thank you and good night!

Thank you Festival Imperial 2012 and Hotel Presidente, where we were hosted in a huge room with festival weekend rebound essentials: sound-proof windows, a mini fridge and an awesome breakfast buffet served until 10.

The end of Festival Imperial is not the end of the noteworthy live music in Costa Rica, by the way. In May 2012 Bob Dylan will perform in San Jose and Paul McCartney is coming too though dates for McCartney haven’t been announced.

Festival Imperial 2012, Costa Rica

Enjoying sunset and a few minutes between sets at Festival Imperial 2012 in Costa Rica.

 

Other musical moments on the road…

We’ve managed to see a smattering of live music since our Trans-Americas Journey started back in 2006. We kicked off the Journey with a visit to the annual Jazz & Heritage Festival in New Orleans (we made it to Jazz Fest a total of three times on the Journey). Our path crossed with that of our favorite epic percussionist, Mike Dillon, in the US and in Canada. Our most recent music festival was the invitation-only Black Sheep Family Festival in Oregon way back in 2008.

Oh, and we once drove 2,000 miles from the tip of Baja to Boulder, Colorado for a two-night run by one of our favorite bands ever, Bustle in Your Hedgerow–a vocal-free, totally raging Led Zeppelin cover band made up of keyboard killer Marco Benevento, bad ass drummer Joe Russo (currently on tour with Further), Ween man Dave Dreiwitz and awesome guitarist Scott Metzger who wrote our very own theme song. Did we mention that we have a theme song? Go to the bottom or our homepage to play it!


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